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Featured Projects

On 05, May 2020 | In | By JM

Pretenders – Hate For Sale


The official video for Hate for Sale by The Pretenders, from the new album ‘Hate For Sale’, out July 17 2020.

On 22, Apr 2020 | In | By JM

Pretenders – The Buzz


The official video for The Buzz by The Pretenders, from the new album ‘Hate For Sale’, out 17th July 2020.


On 06, Mar 2020 | In | By JM

Joe Volk + Naiare – Whitesheet

Enjoy ‘Whitesheet’ taken from the new Joe Volk + Naiare album ‘Primitive Energetics’ coming April 24 at Glitterhouse Records.

On 11, Apr 2019 | In | By JM

Beth Gibbons & the Polish National Radio Symphony – II. Lento e largo—Tranquillissimo

We are pleased to announce regional UK screenings of the full length concert film of Beth Gibbons performing Henryk Górecki’s Symphony No. 3 (Symphony of Sorrowful Songs) with the Polish National Radio Symphony Orchestra featuring conducting from Krzysztof Penderecki.
Locations & tickets:


7 & 10 April – Belfast – Queens Film Theatre
13 April: Cine Tonala – Mexico City (Sold Out)
19 April: The Projector – Singapore
19 – 22 April – Bristol – Watershed
19 & 20 April – Glasgow – Film Theatre
27 & 28 April – Exeter – Phoenix
4 May: The Projector – Singapore
6 May – Nantes, FR Le Cinématographe
9 May – Clevedon (Somerset) – Curzon
13 May – Inverness – Edencourt
18 May – Newcastle – Tyneside
28 May – Sheffield – Showroom
31 May – Dundee – Dundee Contemporary Arts
14 – 16 June – Cardiff – Chapter
15 June – Birmingham – Midland Arts Centre (MAC)


On 25, Jul 2018 | In | By JM

Get The Blessing – Not With Standing

Blending their mutant Jazz sensibilities with spacey electronics and post rock atmospheres, “Bristopia” ventures into new, unexplored territories. The band is comprised of bassist Jim Barr and Drummer Clive Deamer of Portishead, Jake McMurchie on sax and electronics and Pete Judge on trumpet and electronics. Here they share the visuals for their latest single ‘Not With Standing’. While a simple concept, the video gives off an eerie otherness that matches the band’s sound and visual signature of keeping their faces masked.

The band has decided to pay homage to their hometown of Bristol stating, “sometimes you have to go away to see where you’re from”. With this in mind, they headed to record a lot of the album in the picturesque setting of Vale Studio, Worcestershire. After getting most of the material finished, the Bristol Jazz and Blues Festival invited Get The Blessing and their long-running visual collaborator John Minton to scour the Bristol Archive and create “Bristopolis”, an abstract, poetic film homage to Bristol. “We realised that some of the new music is the soundtrack for a real film after all, even stranger than the one in our heads. We got to play these new tunes live at a one-off happening for the festival, with John’s visual creation filling an enormous screen behind us. All begins to make (non)sense.”


On 22, Jun 2018 | In | By JM

Beak – Allé Sauvage

BEAK> return with brand new instrumental track “Allé Sauvage”. The music comes as a live performance collaboration with video artist John Minton (Portishead, Savages).


On 05, Jul 2017 | In | By JM

Charlotte Hatherley – Night Vision

Lotus Esprit – Oscilloscope – Cymatics – & some lyrics

On 04, Jul 2017 | In | By JM

Three Cane Whale – An Acre of Watery Light

Visuals for Three Cane Whale as part of Filmic commision from the Watershed and St Georges, Bristol.


On 30, Jun 2017 | In | By JM

John Parish & Adrian Utley – The Trinity Anthem

Trinity Centre – The Trinity Anthem (Adrian Utley & John Parish) supports
Trinity Community Arts


On 06, Jun 2017 | In | By JM

Justin Adams – Ribbons

British guitarist Adams is a man of many parts. Alongside his job in Robert Plant’s Band of Joy have come collaborations with assorted North African and Middle Eastern luminaries – desert rockers Tinariwen and Terakaft, Moroccan Gnawa musician Hamid el Kasri and more. Here, he teams up with Norwegian singer Anneli Drecker (of Röyksopp) for an ambient outing that draws inspiration from modernist painters such as Rauschenberg and Pollock. Adams’s grooves and loops often carry Saharan flavours, while Drecker’s wordless, ethereal vocals evoke the emptiness of the Arctic north, with a touch of Tuvan throat-singing on Lightshaft. A seamless fusion that casts a low-key but binding spell.